Featuring fluent curves and strokes without serifs, DIN, released by Frankfurt’s D Stempel AG foundry in 1923, is minimal in appearance, bold, striking, and highly legible. The design was based on a 1905 typeface for the Royal Prussian Railway Administration and was originally used for schematics and blueprints. As the typeface grew in popularity, it was released as a metal typ...(展开全部)

Originally established as the masthead to envision the leading-edge editorial attempts of Avant Garde magazine, ITC Avant Garde Gothic was one of gifted communicator, Herb Lubalin's historic creative piece. Its custom-manipulation for individual letters had enabled the type to trademark the publication anywhere on the cover as a block, and radiated the art directors and graphic...(展开全部)

Designed in 1798 by Giambattista Bodoni, the serif font Bodoni drew inspiration from elements of the English typeface Baskerville and the French typeface Didot, with the result widely-regarded as one of the most influential and easily-recognized typefaces in history. Giambattista has been called "the father of modern type" and the typeface Bodoni is at once modern and traditio...(展开全部)

Designed in 1798 by Giambattista Bodoni, the serif font Bodoni drew inspiration from elements of the English typeface Baskerville and the French typeface Didot, with the result widely-regarded as one of the most influential and easily-recognized typefaces in history. Giambattista has been called "the father of modern type" and the typeface Bodoni is at once modern and traditio...(展开全部)

Featuring fluent curves and strokes without serifs, DIN, released by Frankfurt’s D Stempel AG foundry in 1923, is minimal in appearance, bold, striking, and highly legible. The design was based on a 1905 typeface for the Royal Prussian Railway Administration and was originally used for schematics and blueprints. As the typeface grew in popularity, it was released as a metal typ...(展开全部)

Originally established as the masthead to envision the leading-edge editorial attempts of Avant Garde magazine, ITC Avant Garde Gothic was one of gifted communicator, Herb Lubalin's historic creative piece. Its custom-manipulation for individual letters had enabled the type to trademark the publication anywhere on the cover as a block, and radiated the art directors and graphic...(展开全部)

A female Maiasaura finds a lost egg in the forest and decides to look after it with her own egg. Surprisingly, a baby Tyrannosaurus hatches from the egg. The greathearted mother accepts and raises him as her own son, Heart. One day, Heart goes to pick berries and comes across another Tyrannosaurus. The foster son of the Maiasaura discovers his real identity. The fourth title in...(展开全部)

In I Love Dick, published in 1997, Chris Kraus, author of Aliens & Anorexia, Torpor, and Video Green, boldly tore away the veil that separates fiction from reality and privacy from self-expression. It's no wonder that I Love Dick instantly elicited violent controversies and attracted a host of passionate admirers. The story is gripping enough: in 1994 a married, failed independ...(展开全部)

克丽丝•克劳斯（Chris Kraus，1955— ），美国作家、电影制片人、艺术家。生于纽约，童年在康涅狄格州和新西兰度过，16岁即从新西兰的惠灵顿维多利亚大学毕业，成为一名记者，21岁时返回纽约，进入导演李•布鲁尔的工作室学习电影制作，拍摄了一系列实验性电影和短片，在全球多个艺术展上放映。克丽丝•克劳斯已经出版了9本著作，现居洛杉矶，投身于各类艺术活动和社会活动。 . 译者：李同洲，做过外国文学编辑，译有《那两个女孩》等作品。

In I Love Dick, published in 1997, Chris Kraus, author of Aliens & Anorexia, Torpor, and Video Green, boldly tore away the veil that separates fiction from reality and privacy from self-expression. It's no wonder that I Love Dick instantly elicited violent controversies and attracted a host of passionate admirers. The story is gripping enough: in 1994 a married, failed independ...(展开全部)